This work made me realize the important things that humans have forgotten during this coronavirus pandemic. It's true that it may be a happy world without suicide and abolishing evil. However, when I think about the world we will live in someday, I think the environment we live in now is happy enough.

The story unfolded rhythmically and enjoyably, but the situations and emotions the characters were in flowed in, and it ended in a flash, and I felt a little lonely.

Some of the lines were spoken too fast and difficult to hear, but I thought this story should be told at this tempo, so I tried my best to keep up. Scary to live in a world where people are deprived of their rich imagination and freedom of thought, and think that this is normal. Everyone who played this world view was amazing.

I fell in love with UPSIDE DOWN when I saw CHORD a while ago. I'm grateful that you've finally come back to the theater after the COVID-19 pandemic. Moved by the level of perfection that still overwhelms the audience.

I love the fast tempo and the way the plot twists and lines are resolved. I think TOBY is crazy for coming up with this script in one night (and I mean that as a compliment).

The four of them were in perfect sync. So this is UPSIDE DOWN. Words are amazing.

Engrossed in watching the show, wondering if people like this really exist in the year 2222. I really felt the unfairness of this dystopia. I think it was genius acting and genius scriptwriting.

Great to see the two main characters express their feelings to each other with such tension that it felt like they were going to start fighting. I want to cherish own words more.

The future that should never happen. But it could happen. I think we need to cherish our current happiness. The last scene was sad and painful, and made me think a lot.

Instantly drawn into the worldview from the beginning. This is UPSIDE DOWN! The overlapping of the four voices is a great depth. It was a worthwhile production. Let's read more books. Being able to read books is a happy thing.